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Czech Centre London is delighted to announce that Gallery Kuzebauch will be showcasing Czech glass design at London's Collect 2019. The exhibition Glass Rituals presents an intergenerational dialogue of four female artists while also showing the diversity of their creative approach to glassmaking, thus providing a comprehensive picture of contemporary Czech studio-glass.

The installation proves that glass made by women is often far more courageous, more experimental and created under very demanding conditions. The exhibition of Lada Semecká, Klára Horáčková, Eva Eisler and Vladimíra Klumpar thus attempts to disrupt the perception of Czech glass as a purely male domain.

Klára Horáčková experiments with glass and transforms it into delicate forms. She uses her art to put forward a vision of evolution – biomorphic and almost otherworldly objects from fused glass, resembling rock formations. Eva Eisler work is a manifestation of an intersection of the past and future with glass silhouettes referring to archetypal image of goddesses. The imagery stems from ancient rituals and fertility symbols. Lada Semecká tells a story through unique properties and origins of given material. Her glass paintings evoke fluidity and imagination while basalt stone objects emphasize its unique surface, resilience and resonance. Vladimíra Klumpar focuses on cast glass sculptures that are either inspired by geometric or biomorphic shapes. In her work light and the depth of space play crucial role.

The exhibition Glass Rituals is a premiere for both, the gallery and all four artists at Collect. It is an opportunity to get to know Czech glass from another, often marginalised, point of view and to prove that Czech glassmaking has its rightful and unique place on the world stage. Each of the artists specifically apply different techniques, based on long-standing traditions that transform into their own, authentic artistic testimony.

Galerie Kuzebauch at Collect, Saatchi Gallery, London, UK
28 Feb – 3 Mar 2019

More information: www.czechcentre.org.uk
For images and other press enquiries please contact:
Tereza Matysová - comms@czechcentre.org.uk, 07768 935 361
Galerie Kuzebauch: Kateřina Hendrychová -katerina.hendrychova@happymaterials.com, +420 721 614 951

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The Czech Centre's mission is to actively promote the Czech Republic by showcasing Czech culture in the UK.  Its programme covers visual and performing arts, film, literature, music, architecture, design and fashion. As well as hosting its own events, the Czech Centre offers support for other groups organising Czech related initiatives in the UK. It is a non-political organisation supported by the Czech Ministry of Foreign Affairs as part of a worldwide network of 22 Czech Centres. The Czech Centre is a member of EUNIC (European Union National Institutes for Culture).

Galerie Kuzebauch was established in 2012 in Prague. The gallery focuses on the presentation of exceptional examples of studio artwork made by both young as well as established artists, designers and craftsmen, it attempts to break the rules on how we perceive art, design and craft today. Hundreds of small glass workshops across the Czech Republic enable those creators to experiment with various glass materials and techniques in a hands-on environment. The gallery facilitates those creators to gain recognition across disciplines and continents, with contemporary art glass playing the main role. Among its most established artists are Vladimír Kopecký, Martin Janecký, Vladimíra Klumpar or Petr Stanický. The curator of the exhibition is PhDr. Petr Nový, who has been cooperating with Galerie Kuzebauch for many years. Petr Nový is the chief curator of the Museum of Glass and Jewelery in Jablonec nad Nisou, member of the Academy of Czech Design and Editor-in-chief of Glass & Ceramics magazine. He lectures and writes on the history and development of glass and imitation jewellery both in Czech Republic and abroad. http://www.galeriekuzebauch.com

Collect London organized by Crafts Council is one of the most prominent shows of applied art, with over thirty galleries and 400 artists selected each year by an independent expert committee.

Vladimíra Klumpar is one of the best-known contemporary glass artists from Czech Republic. She gained an international acclaim with her cast glass sculptures that stems from the tradition of one of the greatest figures in the history of Czech glass: Stanislav Libenský. She is the recipient of a prestigious Pollock-Krasner Foundation Grant and the Massachusetts Artist Foundation Fellowship.
Her long-term stays in Mexico and United States influenced her style and her artistic expression. Her works have been exhibited in galleries all over the world, and are included in the collections of The Corning Museum of Glass, the American Arts and Craft Museum in New York and many others. Her cast glass sculptures are inspired by either rigid geometric or biomorphic shapes. In her work light and the depth of space play crucial role.

Lada Semecká tells stories through unique properties of given materials and their origin. She has worked with glass, ceramics, sandstone, basalt, porcelain or paper. She studied glassmaking and engraving at the Secondary School of Glassmaking in Kamenický Šenov and later used her expertise when working as an engraver at the Carlsbad ́s Moser factory. She continued studying at the Institute of Art and Culture JEPU in Ústí nad Labem and later graduated at the Academy of Arts, Architecture and Design in Prague under prof. Vladimír Kopecký. She attended many different glass symposia and travelled abroad as an artist in residence. The other prestigious schools where she studied were in Riga and St. Petersburg and later in the USA, where she attended the Pilchuck Glass School. She also taught at AAAD in Prague before being invited to teach in Toyama City Institute of Glass Art, currently she teaches at the Faculty of Art and Design J. E. Purkyně University in Ústí nad Labem.
She explores the quiet nature of glass and her fused glass hangings series “Flow” evoke fluidity and imagination. When working with basalt stone, she emphasizes its unique surface, resilience and resonance.

Klára Horáčková experiments with glass and transforms it into delicate forms. She uses her art to put forward a vision of evolution – biomorphic and almost otherworldly objects from fused glass, resembling basalt surfaces and rock formations, grand glass installations interacting with public space and interiors. “She is one of the most prominent creative personalities of her generation,” says Sylva Petrová, well-known glass curator and professor.
Horáčková is a visual artist and designer, who creates all her artwork in her studio in Prague, Czech Republic. She had earned her MgA. degree at Academy of Art, Architecture and Design in Prague at 2006 after studying at Glass Studio under the lead of prof. Vladimír Kopecký, and Sculpture Studio with prof. Jiří Beránek. Within her own art practice she often expresses the ideas through the material of glass and its diverse forms and techniques but doesn ́t limit herself solely to this medium. Her works vary from smaller sculptural objects and design to dimensional conceptual mobile installations or projects with new media. http://www.klarahorackova.com/about.html

Eva Eisler is an internationally recognized sculptor, furniture, product and jewellery designer. Rooted in constructivist theory, her structurally based objects project a unique spirituality by nature of their investment with “sacred geometry.” The body of her work includes architectural installations, public spaces and exhibition designs. Eisler is also a respected curator and educator. She heads the award- winning K.O.V. (Concept-Object-Meaning) studio at Prague's Academy of Arts, Architecture and Design.
Eisler’s work is represented in some of the world’s most prestigious museum collections, such as the Brooklyn Museum of Art, Cooper-Hewitt National Design Museum, Metropolitan Museum of Art and Museum of Arts & Design in New York, Smithsonian Institution - Renwick Gallery in Washington, Museum of Fine Arts - in Montreal, in Boston, in Houston or the Pinakothek der Moderne in Munich, among others.
Eva Eisler’s recent work is a manifestation of an intersection of the past and future. Together with glass sculptor Martin Janecký, she has created silhouettes from solid metallurgical glass referring to the archetypal image of goddess. The imagery stems from ancient rituals and fertility symbols.

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